E 'could be seen as the Sumerian writing suddenly appeared, seemingly from nowhere, already fully consolidated. The Sumerians also had some astronomical knowledge, for example, knew that Neptune was blue-green, and their math was based on a strange numbering system: the system sessantesimale and, in its simplest form, the system dodicesimale. And protective effect by the Sumerians (or the Akkadians?), The division of day into 24 hours, 60 minutes in time and angle around in 360 degrees, and the "dozen", ie the quantity 12.
For us modern men is "natural" a decimal arithmetic (based on 10), cioè basata sulle dieci dita delle nostre mani, e risulta logicamente consistente anche la matematica ventesimale maya (su base 20), supponendo che usassero le dita delle mani e dei piedi per contare, mentre risulta totalmente incomprensibile il sistema di numerazione sumero basato sulla sessantina o sulla dozzina (cioè su base 60 o 12), a meno che non avessero sei dita per ogni mano...
Alcuni scienziati americani che hanno studiato i casi di persone con sei dita nel territorio degli Stati Uniti hanno scoperto che molti degli antenati di costoro provenivano da una popolazione stanziata in una regione dell'attuale Turchia, e in questa popolazione non è rara la nascita di persone con sei dita. Perché il progetto genetico di questa popolazione This structure consisted of six-fingered hands? Perhaps they are reminiscent of ancient hybridization with the ancient gods?
Sumerian myths: Marduk, Ashur, and Tiamat Gigamesh
tablets of Nineveh show, in the poem Enuma Elish The Sumerian religious myths relating to creation of the world. Marduk was the hero of the poem (which dates back to a Sumerian original of the second millennium BC, but there is now a Assyrian version of the seventh century BC) where he narrated how he overwhelm the goddess Tiamat. The Assyrians crediting the other hand, in the same legend, the god Assur for the death of Tiamat, so it is possible to think Assur and Marduk, which were really the same deity
At first they were Apsu and Tiamat, the ocean, sweet and bitter. Tiamat is also remembered as "the Monster of Chaos." They were born and Lahmu Lahamu, brother and sister, husband and wife, and Anshar and Kish, who surpass their parents in strength, beauty and skill. Anshar and Kish, as well as many other gods, begot Enlil, the god of wind, and Anu, the sky god, who became the father of Enki or Ea, the god of wisdom and magic, far greater than the father. Anu, although it was in theory the chief, had minimal influence in human affairs and it was Enlil, his right arm, who ruled the Earth.
But the gods were young noisy and disturbed the sleep of old Apsu, who went to his wife and said, destroy them, so I can sleep. Tiamat he was shocked and shouted in anger: Do not destroy what we ourselves have created! But Apsu wanted to go his own way and set out for revenge of their children and grandchildren. And yet, the greatest of the gods, wrapped in magic and killed him, turning it into a majestic mountain where he lived with his wife Ea Damkina. Marduk was born there / Assur, the god of the sun and vegetation, the greatest of all gods and protector of Babylon (and, as Assur, Nineveh).
Meanwhile Tiamat had meditated on the fate of the groom Apsu and his heart was full of rage. Decise perciò di attaccare gli dei e distruggerli, e perfino Ea fu preso dal terrore. Alla fine, soltanto Marduk osò affrontare Tiamat in combattimento e, con l'aiuto di un forte vento che soffiava nella bocca della dea così da impedirle di chiuderla, Marduk scoccò una freccia che le si infilò in gola e la raggiunse al cuore. Quando Tiamat fu morta, Marduk tagliò in due il suo corpo, creando con una metà il cielo e con l'altra la terra. E Marduk fu esaltato come Re degli dei.
Marduk organizzò poi l'universo e creò l'uomo dalla creta e dal sangue della dea Tiamat.
Ogni anno, in primavera, il sacerdote e il popolo recitavano il mito della creazione, assieme al mito che trattava della morte and resurrection of Marduk.
Marduk received the attribute of the vegetation god, Tammuz, the husband and son of the mother goddess Ishtar. Ishtar also appears in Hebrew mythology and merges with the goddess Isis in the late Hellenistic world. Later, under the Assyrian domination, Marduk was overshadowed by Ashur (Ashshur) but then the power shifted back to Babylon and Marduk was rehabilitated.
The Assyrian and Babylonian writings show very clearly that the people of those considered political changes in Mesopotamia as the result of upheavals in the realm of the gods.
While spring festivals were connected to the Egyptian myth of Osiris, the religious attitude of the Sumerians to the death was quite different. The Sumerians were identified with the dying and resurgent Tammuz - Marduk in order to regain health rather than to ensure immortality. The epic Gilgamesh shows that they eventually adapted the idea of \u200b\u200bdeath of the body. The hero Gilgamesh, after seeing the dead comrade Enkidu, motionless and breathless, comes in search of Ut-Napishtim, the corresponding Babylonian Noah, who had been revealed by Enlil the secret of immortality, a gift of the Mesopotamian very carefully kept hidden from men, Ut-Napishtim was therefore the only man who possessed eternal life. He speaks to Gilgamesh of a plant that gives eternal youth, and Gilgamesh finally found the plant but only to come robbed by a snake and is forced to go way back and to face the inevitability of death. The same concept appears in the myth of Adapa, who represents the human race: Adapa offends Anu, the god of the sky, and went to him to explain his act, after receiving from Ea, the god of water, the warning do not drink or eat anything. Anu is impressed by Adapa so that gives him food and water of life, but Adapa refuses them without realizing thus losing immortality.
Gilgamesh also obtained by the gods of the underworld that the spirit of Enkidu return to the language of the condition of the dead, saying: "He (the god of the underworld) leads me to the house of darkness ... from which there is no escape once you enter more for the road from which there is no return to the house whose inhabitants are deprived of light, Where dust is the food and clay their food. They are dressed in wings like birds and do not see the light dwelling in the darkness. "
Mesopotamian documents describe the afterlife as a sad, dark country inhabited by beings' dressed in wings" that feed on the ground and clay.
Jewish scholar, Dr. Zecharia Sitchin one of the few scholars in the world can read the Sumerian cuneiform writing, offers an explanation of the myth of Tiamat. He claims to have found news in ancient Sumerian tablets, of a planet solar system, Nibiru, renamed "Marduk" dai Babilonesi, il dodicesimo pianeta, ancora sconosciuto agli astronomi, la cui orbita si avvicina a quella della Terra ogni 3600 anni (uno Shar), e durante uno di questi avvicinamenti, nell'epoca sumera, una moltitudine di duecento "angeli" , chiamati "Anunnachi" fu visto sciamare verso la Terra, da cui è derivata la classe dei giganti, di cui parla anche la Bibbia, che li chiama Anachim, i discendenti di Anak, e che erano avversari di Jahveh, il Dio d'Israele. Anche la mitologia greca parla dei Titani, giganti antropofagi che divorarono il dio Dioniso e che per questo furono fulminati da Zeus. I Titani, sei maschi e sei femmine, erano figli di Gea (dea della Terra) e di Urano (dio del cielo), ed anche Omero racconta di Polifemo, un ciclope antropofago con un solo occhio.
E' quindi facile vedere, nei Titani, il prodotto di ibridazioni tra esseri terrestri ed esseri celesti, in questo caso gli Anunnachi.
Il pianeta Nibiro-Marduk inoltre, secondo Zecharia Sitchin, in una delle precedenti orbite, ormai lontana nel passato, aveva distrutto Tiamat, il pianeta frantumato nella fascia degli asteroidi, e gli Anunnachi, i giganteschi abitanti di Nibiro-Marduk ne hanno portato notizia sulla terra, dove erano assurti a divinità, e questa memoria era stata incisa sulle più antiche tavolette di argilla che in seguito divennero il mito di Tiamat...
At first they were Apsu and Tiamat, the ocean, sweet and bitter. Tiamat is also remembered as "the Monster of Chaos." They were born and Lahmu Lahamu, brother and sister, husband and wife, and Anshar and Kish, who surpass their parents in strength, beauty and skill. Anshar and Kish, as well as many other gods, begot Enlil, the god of wind, and Anu, the sky god, who became the father of Enki or Ea, the god of wisdom and magic, far greater than the father. Anu, although it was in theory the chief, had minimal influence in human affairs and it was Enlil, his right arm, who ruled the Earth.
But the gods were young noisy and disturbed the sleep of old Apsu, who went to his wife and said, destroy them, so I can sleep. Tiamat he was shocked and shouted in anger: Do not destroy what we ourselves have created! But Apsu wanted to go his own way and set out for revenge of their children and grandchildren. And yet, the greatest of the gods, wrapped in magic and killed him, turning it into a majestic mountain where he lived with his wife Ea Damkina. Marduk was born there / Assur, the god of the sun and vegetation, the greatest of all gods and protector of Babylon (and, as Assur, Nineveh).
Meanwhile Tiamat had meditated on the fate of the groom Apsu and his heart was full of rage. Decise perciò di attaccare gli dei e distruggerli, e perfino Ea fu preso dal terrore. Alla fine, soltanto Marduk osò affrontare Tiamat in combattimento e, con l'aiuto di un forte vento che soffiava nella bocca della dea così da impedirle di chiuderla, Marduk scoccò una freccia che le si infilò in gola e la raggiunse al cuore. Quando Tiamat fu morta, Marduk tagliò in due il suo corpo, creando con una metà il cielo e con l'altra la terra. E Marduk fu esaltato come Re degli dei.
Marduk organizzò poi l'universo e creò l'uomo dalla creta e dal sangue della dea Tiamat.
Ogni anno, in primavera, il sacerdote e il popolo recitavano il mito della creazione, assieme al mito che trattava della morte and resurrection of Marduk.
Marduk received the attribute of the vegetation god, Tammuz, the husband and son of the mother goddess Ishtar. Ishtar also appears in Hebrew mythology and merges with the goddess Isis in the late Hellenistic world. Later, under the Assyrian domination, Marduk was overshadowed by Ashur (Ashshur) but then the power shifted back to Babylon and Marduk was rehabilitated.
The Assyrian and Babylonian writings show very clearly that the people of those considered political changes in Mesopotamia as the result of upheavals in the realm of the gods.
While spring festivals were connected to the Egyptian myth of Osiris, the religious attitude of the Sumerians to the death was quite different. The Sumerians were identified with the dying and resurgent Tammuz - Marduk in order to regain health rather than to ensure immortality. The epic Gilgamesh shows that they eventually adapted the idea of \u200b\u200bdeath of the body. The hero Gilgamesh, after seeing the dead comrade Enkidu, motionless and breathless, comes in search of Ut-Napishtim, the corresponding Babylonian Noah, who had been revealed by Enlil the secret of immortality, a gift of the Mesopotamian very carefully kept hidden from men, Ut-Napishtim was therefore the only man who possessed eternal life. He speaks to Gilgamesh of a plant that gives eternal youth, and Gilgamesh finally found the plant but only to come robbed by a snake and is forced to go way back and to face the inevitability of death. The same concept appears in the myth of Adapa, who represents the human race: Adapa offends Anu, the god of the sky, and went to him to explain his act, after receiving from Ea, the god of water, the warning do not drink or eat anything. Anu is impressed by Adapa so that gives him food and water of life, but Adapa refuses them without realizing thus losing immortality.
Gilgamesh also obtained by the gods of the underworld that the spirit of Enkidu return to the language of the condition of the dead, saying: "He (the god of the underworld) leads me to the house of darkness ... from which there is no escape once you enter more for the road from which there is no return to the house whose inhabitants are deprived of light, Where dust is the food and clay their food. They are dressed in wings like birds and do not see the light dwelling in the darkness. "
Mesopotamian documents describe the afterlife as a sad, dark country inhabited by beings' dressed in wings" that feed on the ground and clay.
Jewish scholar, Dr. Zecharia Sitchin one of the few scholars in the world can read the Sumerian cuneiform writing, offers an explanation of the myth of Tiamat. He claims to have found news in ancient Sumerian tablets, of a planet solar system, Nibiru, renamed "Marduk" dai Babilonesi, il dodicesimo pianeta, ancora sconosciuto agli astronomi, la cui orbita si avvicina a quella della Terra ogni 3600 anni (uno Shar), e durante uno di questi avvicinamenti, nell'epoca sumera, una moltitudine di duecento "angeli" , chiamati "Anunnachi" fu visto sciamare verso la Terra, da cui è derivata la classe dei giganti, di cui parla anche la Bibbia, che li chiama Anachim, i discendenti di Anak, e che erano avversari di Jahveh, il Dio d'Israele. Anche la mitologia greca parla dei Titani, giganti antropofagi che divorarono il dio Dioniso e che per questo furono fulminati da Zeus. I Titani, sei maschi e sei femmine, erano figli di Gea (dea della Terra) e di Urano (dio del cielo), ed anche Omero racconta di Polifemo, un ciclope antropofago con un solo occhio.
E' quindi facile vedere, nei Titani, il prodotto di ibridazioni tra esseri terrestri ed esseri celesti, in questo caso gli Anunnachi.
Il pianeta Nibiro-Marduk inoltre, secondo Zecharia Sitchin, in una delle precedenti orbite, ormai lontana nel passato, aveva distrutto Tiamat, il pianeta frantumato nella fascia degli asteroidi, e gli Anunnachi, i giganteschi abitanti di Nibiro-Marduk ne hanno portato notizia sulla terra, dove erano assurti a divinità, e questa memoria era stata incisa sulle più antiche tavolette di argilla che in seguito divennero il mito di Tiamat...
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